"Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse" by Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev was released on October 18, 2019. The duration of Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "None but the Lonely Heart". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse is currently fairly popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse by Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Theme From Schindler's List | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 99 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Suite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressif | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Jenő Jandó | D♭ Minor | 0 | 12A | 163 BPM | ||
Suite bergamasque, L. 75: Clair de lune | Claude Debussy, Alexis Weissenberg | E♭ Minor | 0 | 2A | 103 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM |
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