"Sacrae symphoniae (excerpts) (arr. E. Crees for brass): Sonata pian e forte a 8" by Giovanni Gabrieli, Eric Crees, London Symphony Brass was released on September 26, 1997. With this song being about 5 minutes long, at 5:09, "Sacrae symphoniae (excerpts) (arr. E. Crees for brass): Sonata pian e forte a 8" by Giovanni Gabrieli, Eric Crees, London Symphony Brass is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Giovanni Gabrieli, Eric Crees's "Gabrieli: Music for Brass, Vol. 1" album is number 9 out of 16. Sacrae symphoniae (excerpts) (arr. E. Crees for brass): Sonata pian e forte a 8 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sacrae symphoniae (excerpts) (arr. E. Crees for brass): Sonata pian e forte a 8 by Giovanni Gabrieli, Eric Crees, London Symphony Brass to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, ich warte auf dein Heil | Johann Michael Bach, Vox Luminis, Lionel Meunier | C Major | 1 | 8B | 106 BPM | ||
Elevatio O miraculum! | Sébastien de Brossard, Sébastien Daucé, Ensemble Corrrespondances | C Major | 2 | 8B | 94 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
Mein gmüth ist mir verwirret | Hans Leo Hassler, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Three Songs, Op. 42: II. Vineta | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Also hat Gott die Welt geliebt, SWV 380 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | F Minor | 2 | 4A | 72 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Petite messe solennelle: V. Gloria. Et in terra pax hominibus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | G Major | 1 | 9B | 102 BPM | ||
Officium Defunctorum - Ad Matutinum | Jordi Savall, Cristobal de Morales | B♭ Major | 1 | 6B | 138 BPM |
Section: 0.6059243679046631
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