"Violin Concerto No. 1, Op. 35: Vivace assai" by Karol Szymanowski, Christian Tetzlaff, Wiener Philharmoniker, Pierre Boulez was released on January 1, 2010. Violin Concerto No. 1, Op. 35: Vivace assai appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Szymanowski: Violin Concerto No.1, Op.35; Symphony No.3, Op.27 "Song of the Night"". In this album, this song's track order is #1. Violin Concerto No. 1, Op. 35: Vivace assai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1, Op. 35: Vivace assai by Karol Szymanowski, Christian Tetzlaff, Wiener Philharmoniker, Pierre Boulez having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 53: I. Stabat mater dolorosa / Stala matka bolejaca: Andante mesto | Karol Szymanowski, Jadwiga Gadulanka, Andrzej Hiolski, Krystyna Szostek Radkowa, Jan Wojtacha, Polish State Philharmonic Chorus (Katowice), Polish State Philharmonic Orchestra, Katowice, Karol Stryja | F Major | 1 | 7B | 71 BPM | ||
Krol Roger (King Roger), Op. 46: Act II: Sluchajcie … W ciszy nocy (Hear … in the Silence of the Night) (Shepherd, Roxana, Chorus, Roger, Idirisi) | Karol Szymanowski, Wojtek Drabowicz, Olga Pasichnyk, Krzysztof Szmyt, Piotr Beczala, Romuald Tesarowicz, Stefania Toczyska, Ryszard Wroblewski, Justyna Kabala, Maciej Dunin-Borkowski, Alla Polacca Choir, Polish National Opera Chorus, Polish National Opera Orchestra, Jacek Kaspszyk | F♯ Minor | 2 | 11A | 75 BPM | ||
Variations on a Polish Theme, Op. 10: No. 10 Finale: Allegro vivo - Maestoso | Karol Szymanowski, Martin Roscoe | F♯ Major | 2 | 2B | 132 BPM | ||
Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
King Roger: Mój Bóg jest piekny (Shepherd/Chorus) | Karol Szymanowski, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 154 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night! | Leoš Janáček, Lars Vogt | G Major | 0 | 9B | 129 BPM | ||
6 Consolations, S. 172: No. 1 In E Major (Andante con moto) | Franz Liszt, Daniel Barenboim | A Major | 0 | 11B | 88 BPM |
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