Le nozze di Figaro, K.492 / Act 4: "L'ho perduta... me meschina!" - Wolfgang Amadeus Mozart, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm Information

Acousticness: 96%
Danceability: 25%
Energy: 2%
Instrumentalness: 0%
Liveness: 9%
Loudness: 56%
Speechiness: 6%
Valence: 5%
Popularity: 14%
Loudness: -26.234 dB

Summary

"Le nozze di Figaro, K.492 / Act 4: "L'ho perduta... me meschina!"" by Wolfgang Amadeus Mozart, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm was released on January 8, 2022. With Le nozze di Figaro, K.492 / Act 4: "L'ho perduta... me meschina!" being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Start 2022 with Mozart". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Le nozze di Figaro, K.492 / Act 4: "L'ho perduta... me meschina!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Le nozze di Figaro, K.492 / Act 4: "L'ho perduta... me meschina!" BPM

With Le nozze di Figaro, K.492 / Act 4: "L'ho perduta... me meschina!" by Wolfgang Amadeus Mozart, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Le nozze di Figaro, K.492 / Act 4: "L'ho perduta... me meschina!" Key

The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Orfeo ed Euridice, Wq. 30: Dance Of The Furies	Christoph Willibald Gluck, Orpheus Chamber Orchestra	D Minor	4	7A	150 BPM
Klavierstück in F Major, K. 33b	Wolfgang Amadeus Mozart, Lang Lang	D Major	1	10B	140 BPM
Sinfonia Concertante for Four Winds in E-Flat Major, K. 297b: II. Adagio	Wolfgang Amadeus Mozart, Jaime Martin, London Symphony Orchestra, Timothy Jones, Juliana Koch, Chris Richards, Rachel Gough	E♭ Major	0	5B	130 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro	Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova	D♭ Major	2	3B	146 BPM
Borodin - String Quartet No.2 in D major: Notturno: Andante	Alexander Borodin, Borodin Quartet	A Major	2	11B	74 BPM
Serenade for Strings in C, Op. 48: 2. Walzer: Moderato (Tempo di valse)	Pyotr Ilyich Tchaikovsky, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	3	11B	92 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]	Carl Philipp Emanuel Bach, Giovanni Mazzocchin	E♭ Major	1	5B	113 BPM
Nocturne No. 9 In B, Op. 32 No. 1	Frédéric Chopin, Maurizio Pollini	B Major	0	1B	80 BPM
Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor	Robert Schumann, Anne Gastinel	F Major	1	7B	104 BPM

ISRC: DEF056830115
Label: L-M Records/RCA Records

Section: 0.7455689907073975

End: 0.7491364479064941