"Melodies From Scotland" by The Ayoub Sisters, Paul Campbell, Royal Scottish National Orchestra was released on September 22, 2017. With this song being about 5 minutes long, at 5:10, "Melodies From Scotland" by The Ayoub Sisters, Paul Campbell, Royal Scottish National Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "The Ayoub Sisters". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Melodies From Scotland is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Melodies From Scotland by The Ayoub Sisters, Paul Campbell, Royal Scottish National Orchestra having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Spheres | Ola Gjeilo, Tenebrae, The Chamber Orchestra Of London | C Minor | 1 | 5A | 79 BPM | ||
Gnossienne No. 5 | Lavinia Meijer | E Minor | 0 | 9A | 62 BPM | ||
Chi Mai | Geoff Love & His Orchestra | F♯ Minor | 2 | 11A | 92 BPM | ||
Finale (Brideshead Revisited) | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
Thais: Méditation - Arr. for Flute and Orchestra | Jules Massenet, Katherine Bryan, Royal Scottish National Orchestra, Jac van Steen | D Major | 0 | 10B | 62 BPM | ||
Ballet Suite No. 4 (Arr. Lev Atovmyan): I. Introduction from "The Limpid Stream" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | B Minor | 2 | 10A | 64 BPM | ||
Montgomery Variations: Montgomery Variations: I. Decision | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 1 | 7A | 82 BPM | ||
The King's Speech | Alexandre Desplat | C Minor | 0 | 5A | 110 BPM | ||
The Yellow Cake Revue: Farewell to Stromness | Peter Maxwell Davies | D Major | 0 | 10B | 73 BPM | ||
The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM |
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