Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski made "Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau" available on January 1, 1997. With Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 18 in Charpentier: Te Deum; Messe de Minuit; Nuit by Marc-Antoine Charpentier, Annick Massis, Magdalena Kozená, Eric Huchet, Patrick Henckens, Russell Smythe, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau by Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Juditha Triumphans, RV 644: Armatae face | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | D♭ Major | 4 | 3B | 63 BPM | ||
Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
"Pomp And Circumstance," Op.39: March, No.1 In D | Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar | D Major | 3 | 10B | 133 BPM | ||
David et Jonathas, H. 490, Acte I Scène 1: Du plus grand des héros, publions les exploits (troupes de guerriers, de pasteurs et de captifs) | Marc-Antoine Charpentier, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM |
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