Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski made "Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau" available on January 1, 1997. With Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 18 in Charpentier: Te Deum; Messe de Minuit; Nuit by Marc-Antoine Charpentier, Annick Massis, Magdalena Kozená, Eric Huchet, Patrick Henckens, Russell Smythe, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Te Deum for Soloists, Chorus and Orchestra, H. 146: I. Prélude. Rondeau by Marc-Antoine Charpentier, Les Musiciens du Louvre, Marc Minkowski is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Orfeo ed Euridice, Wq. 30: Ouverture - Live | Christoph Willibald Gluck, Les Musiciens du Louvre, Marc Minkowski | F Minor | 1 | 4A | 87 BPM | ||
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 85 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1 (Orch. Schmeling) | Johannes Brahms, NDR Elbphilharmonie Orchester, John Eliot Gardiner | G Minor | 2 | 6A | 152 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Tamás Vásáry | D♭ Major | 0 | 3B | 131 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM |
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