Clara Schumann, The Atlantis Trio's 'Piano Trio in G Minor, Op. 17: I. Allegro moderato' came out on June 15, 2014. Piano Trio in G Minor, Op. 17: I. Allegro moderato appears to be safe for all ages as it is not explicit. The song is number 1 out of 8 in Clara Schumann: Piano Trio in G Minor, Op. 17 - Robert Schumann: Piano Trio in D Minor Op. 63 by The Atlantis Trio. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Piano Trio in G Minor, Op. 17: I. Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Trio in G Minor, Op. 17: I. Allegro moderato by Clara Schumann, The Atlantis Trio is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Piano, Trumpet and String orchestra Op. 35 in C Minor: I. Allegro moderato | Dmitri Shostakovich, Alexander Melnikov, Jeroen Berwaerts, Teodor Currentzis, Mahler Chamber Orchestra | C Minor | 2 | 5A | 142 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: IV. Finale | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | C Major | 3 | 8B | 145 BPM | ||
3 Pieces in Old Style: No. 3. Menuetto II | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | D Major | 1 | 10B | 119 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo Philharmonic Orchestra, Oslo-Filharmonien | B♭ Major | 3 | 6B | 169 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
String Quartet No.2 In D: 1. Allegro | Alexander Borodin, Emerson String Quartet | D Major | 1 | 10B | 79 BPM | ||
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | ||
3 Romances for Violin and Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Koji Morishita | B♭ Major | 1 | 6B | 98 BPM |
Section: 0.8788468837738037
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