"Suite in G major: Prélude - lentement" by Marin Marais, Mieneke van der Velden, Glen Wilson was released on January 1, 2000. The duration of Suite in G major: Prélude - lentement is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Suite in G major: Prélude - lentement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Mieneke van der Velden's "Marais: Pieces de Viole" album is number 1 out of 22. On top of that, Netherlands appears to be the country where this track was created. Suite in G major: Prélude - lentement is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite in G major: Prélude - lentement by Marin Marais, Mieneke van der Velden, Glen Wilson to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau | B Minor | 1 | 10A | 83 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Marche de triomphe, H. 547/1 | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Major | 4 | 8B | 99 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Concert XLIV: Tombeau les regrets - Les pleurs | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 111 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | D♭ Minor | 2 | 12A | 93 BPM | ||
4e livre de viole: Muzette | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | D♭ Minor | 5 | 12A | 95 BPM | ||
Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - 2Ème Menuet Pour Les Mêmes | Jordi Savall, Marin Marais | D Minor | 2 | 7A | 118 BPM |
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