"The Flower Duet (From "Lakmé")" by Katherine Jenkins, Kiri Te Kanawa, Philharmonia Orchestra, Anthony Inglis was released on January 1, 2006. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Katherine Jenkins's "Katherine Jenkins / From The Heart" album is number 4 out of 14. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Flower Duet (From "Lakmé") is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Flower Duet (From "Lakmé") by Katherine Jenkins, Kiri Te Kanawa, Philharmonia Orchestra, Anthony Inglis to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot, SC 91, Act III: Nessun dorma! | Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 3 | 10B | 84 BPM | ||
Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
The Swan | Camille Saint-Saëns, Sebastian Comberti, Miriam Keogh | G Major | 1 | 9B | 123 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Turandot, SC 91 / Act 3: Nessun dorma | Giacomo Puccini, Freddie De Tommaso, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | D Major | 2 | 10B | 71 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Bagatelle for Piano in A Minor "Für Elise", WoO 59 | Leonard Hokanson | A Minor | 0 | 8A | 145 BPM | ||
String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto | Luigi Boccherini, György Éder, Danubius Quartet | A Major | 0 | 11B | 126 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM |
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