"Messa da Requiem (2004 Digital Remaster): VI. Lux aeterna" by Munich Philharmonic Orchestra, Kurt Rydl, Sergiu Celibidache, Reinhild Runkel, Elena Filipova, Chor des Münchner Philharmoniker, Peter Dvorsky was released on November 28, 2005. Since Messa da Requiem (2004 Digital Remaster): VI. Lux aeterna is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Messa Da Requiem by Sergiu Celibidache. The song's track number on the album is #3 out of 21 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Messa da Requiem (2004 Digital Remaster): VI. Lux aeterna is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem (2004 Digital Remaster): VI. Lux aeterna by Munich Philharmonic Orchestra, Kurt Rydl, Sergiu Celibidache, Reinhild Runkel, Elena Filipova, Chor des Münchner Philharmoniker, Peter Dvorsky has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem (2004 Digital Remaster): VI. Lux aeterna being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Les Sylphides (orch. R. Douglas): I. Prelude (Op. 28, No. 7) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | A Major | 0 | 11B | 99 BPM | ||
Concierto No. 2 in G Minor, Op. 8, el verano: II. Adagio - Presto - Adagio | Munich Philharmonic Orchestra, Wilhem Hertz | G Minor | 2 | 6A | 84 BPM | ||
Berlioz: Symphonie fantastique, H. 48: Vd. Dies Irae et Ronde du Sabbat ensemble | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache, Valery Gergiev | C Major | 7 | 8B | 136 BPM | ||
Meet Her At The Love Parade | Milk & Sugar, Munich Philharmonic Orchestra, Euphonica | G Major | 6 | 9B | 132 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): V. Danse finale | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: 1. Scherzo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | G Minor | 3 | 6A | 133 BPM | ||
Per aspera ad astra | Blasmusik by the Munich Philharmonic Orchestra, Munich Philharmonic Orchestra, Lorin Maazel | D♭ Major | 2 | 3B | 112 BPM |
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