Alexander Pitamic, Munich Philharmonic Orchestra's 'Sinfonie Nr. 63, C-Dur: II. Allegretto piú tosto Allegro' came out on January 22, 1996. Since Sinfonie Nr. 63, C-Dur: II. Allegretto piú tosto Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Joseph Haydn: Sinfonie Nr. 49, F-Moll -Sinfonie Nr. 55, Es-Dur - Sinfonie Nr. 63, C-Dur" album is number 10 out of 12. Based on our statistics, Sinfonie Nr. 63, C-Dur: II. Allegretto piú tosto Allegro's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sinfonie Nr. 63, C-Dur: II. Allegretto piú tosto Allegro by Alexander Pitamic, Munich Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
Also Sprach Zarathustra, Op. 30: Introduction | SWR Symphony Orchestra | D♭ Major | 2 | 3B | 83 BPM | ||
Chopin: Etude #3 In E, Op. 10/3, "Tristesse" | London Festival Orchestra | E Major | 1 | 12B | 81 BPM | ||
The Tale of the Tsar Saltan: the Flight of the Bumble Bee | Camerata Rhenania | A Major | 1 | 11B | 151 BPM | ||
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 126 BPM | ||
Piano Sonata No. 2 in B Minor, Op. 35: III. Marche funèbre: Lento | Vitalij Margulis | D♭ Major | 0 | 3B | 105 BPM | ||
The Arrival of the Queen of Sheba | Hollywood Symphony Orchestra | B♭ Major | 3 | 6B | 118 BPM | ||
Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
Bach, JS: Concerto for Oboe and Violin in D Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Yehudi Menuhin, Leon Goossens, Bath Festival Orchestra | F Major | 7 | 7B | 94 BPM | ||
Danza Hungara | Orquesta Sinfónica De Radio Hamburgo | A Major | 2 | 11B | 76 BPM |
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