"Knoxville: Summer of 1915" by Samuel Barber, Dawn Upshaw, David Zinman, Orchestra of St. Luke's was released on September 13, 2005. Knoxville: Summer of 1915 appears to be safe for all ages as it is not explicit. The track order of this song in Dawn Upshaw's "Knoxville: Summer Of 1915" album is number 1 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, Knoxville: Summer of 1915 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Knoxville: Summer of 1915 by Samuel Barber, Dawn Upshaw, David Zinman, Orchestra of St. Luke's to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Roger Vignoles | B♭ Minor | 0 | 3A | 70 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 4 | 9B | 76 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
Concerto for Clarinet and String Orchestra, Op.31: 1. Allegro vigoroso - L'istesso tempo ma in modo lirico | Gerald Finzi, Andrew Marriner, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 1 | 3A | 86 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Purcell: Music for a While | Henry Purcell, Dawn Upshaw | A♭ Minor | 0 | 1A | 97 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM |
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