"Inflammatus Et Accensus Extrait Du Stab" by Barbara Hendricks was released on March 3, 2003. With this song being about 5 minutes long, at 4:36, "Inflammatus Et Accensus Extrait Du Stab" by Barbara Hendricks is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Barbara Hendricks's "la voix du ciel" album is number 8 out of 32. In terms of popularity, Inflammatus Et Accensus Extrait Du Stab is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Inflammatus Et Accensus Extrait Du Stab by Barbara Hendricks to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: Finale. Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir, Frankie Wakefield, Alexander Knox, Ceri-lyn Cissone | E Major | 0 | 12B | 176 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Ah, son perduto!" | Wolfgang Amadeus Mozart, Ruggero Raimondi, Barbara Hendricks, Agnes Baltsa, Aldo Baldin, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 145 BPM | ||
Schubert: Du bist die Ruh, Op. 59 No. 3, D. 776 | Franz Schubert, Barbara Hendricks, Radu Lupu | A Major | 1 | 11B | 102 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Che soave zeffiretto" - "Piegato è il foglio..." | Wolfgang Amadeus Mozart, Lucia Popp, Barbara Hendricks, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 145 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM |
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