Henryk Wieniawski, Itzhak Perlman, Samuel Sanders's '2 Mazurkas Op. 19 (1995 Digital Remaster): No.1 Obertass' came out on January 12, 1996. The duration of 2 Mazurkas Op. 19 (1995 Digital Remaster): No.1 Obertass is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 2 Mazurkas Op. 19 (1995 Digital Remaster): No.1 Obertass's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wieniawski: Works for Violin by Henryk Wieniawski, Itzhak Perlman. The song's track number on the album is #2 out of 11 tracks. In terms of popularity, 2 Mazurkas Op. 19 (1995 Digital Remaster): No.1 Obertass is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since 2 Mazurkas Op. 19 (1995 Digital Remaster): No.1 Obertass by Henryk Wieniawski, Itzhak Perlman, Samuel Sanders has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 2 Mazurkas Op. 19 (1995 Digital Remaster): No.1 Obertass being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rimsky-Korsakov / Arr. Heifetz for Violin and Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Itzhak Perlman, Samuel Sanders | A Minor | 5 | 8A | 96 BPM | ||
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
The Garden Meeting | John Williams, Yo-Yo Ma, Itzhak Perlman | E Minor | 1 | 9A | 86 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D Major | 0 | 10B | 97 BPM | ||
Main Theme (From "Schindler's List") | John Williams, Itzhak Perlman, Pittsburgh Symphony Orchestra | D Minor | 2 | 7A | 98 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
Spohr: Duo Concertante in D Major, Op. 67, No. 2: II. Larghetto | Louis Spohr, Itzhak Perlman | B♭ Major | 1 | 6B | 172 BPM | ||
Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 132 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Fiocco / Arr Fuessi: Allegro | Joseph-Hector Fiocco, Itzhak Perlman | G Major | 3 | 9B | 134 BPM |
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