"Die mit Tranen saen" by Johann Hermann Schein, Dresdner Kammerchor, Hans-Christoph Rademann was released on August 7, 2012. The duration of Die mit Tranen saen is about 3 minutes long, at 3:26. Based on our data, "Die mit Tranen saen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Schein: Israelsbrunnlein". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Die mit Tranen saen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die mit Tranen saen by Johann Hermann Schein, Dresdner Kammerchor, Hans-Christoph Rademann having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Galliard, "Heigh Ho Holiday" | Anthony Holborne, Matthias Höfs, Matthias Janz | C Major | 1 | 8B | 121 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Schein: Suite No. 6 in A Minor (from "Banchetto musicale, 1617"): IV. Allemande e Tripla a 4 (Quinta tacet) | Johann Hermann Schein, Hespèrion XX, Jordi Savall | C Major | 0 | 8B | 111 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
Lachrimae or Seven Tears: III. Lachrimae gementes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Aus der ersten Duineser Elegie für drei Stimmen: VI. O und die Nacht... Ja også natta... | Edvin Østergaard, Rainer Maria Rilke, Åsmund Bjørnstad, Tone Elisabeth Braaten, Per Kristian Amundrød, Ebba Rydh | B Major | 0 | 1B | 89 BPM |
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