Adagio and Fugue in C Minor, K. 546: 2. Fugue by Tasmanian Symphony Orchestra, Ola Rudner

Song Analysis

Audio information that is featured on Adagio and Fugue in C Minor, K. 546: 2. Fugue by Tasmanian Symphony Orchestra, Ola Rudner.

Acousticness

97%

Energy

13%

Liveness

9%

Speechiness

4%

Danceability

46%

Instrumentalness

98%

Loudness

67%

Valence

26%

Harmonic Matches

Find songs that harmonically matches to Adagio and Fugue in C Minor, K. 546: 2. Fugue by Tasmanian Symphony Orchestra, Ola Rudner. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Australia Suite: VIII. Twilight At Sandy Bay by Queensland Symphony Orchestra, Patrick ThomasAustralia Suite: VIII. Twilight At Sandy BayQueensland Symphony Orchestra, Patrick ThomasC Minor35A33
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity by Melbourne Symphony OrchestraThe Planets, Op. 32: IV. Jupiter, the Bringer of JollityMelbourne Symphony OrchestraC Minor25A130
Nein, länger trag ich nicht die Qualen (Der Freischütz) by Wiener Philharmoniker, Maud Cunitz, Anny Felbermayer, Vienna State Opera Chorus, Otto Edelmann, Marjan Rus, Hans Hopf, Emmy Loose, Karl Dönch, Maria Schober, Alfred Poell, Franz Bierbach, Reinhold SiegertNein, länger trag ich nicht die Qualen (Der Freischütz)Wiener Philharmoniker, Maud Cunitz, Anny Felbermayer, Vienna State Opera Chorus, Otto Edelmann, Marjan Rus, Hans Hopf, Emmy Loose, Karl Dönch, Maria Schober, Alfred Poell, Franz Bierbach, Reinhold SiegertC Minor25A69
Le Villi: La Tregenda (The Witches' Sabbath) by Tasmanian Symphony Orchestra, Andrew GreeneLe Villi: La Tregenda (The Witches' Sabbath)Tasmanian Symphony Orchestra, Andrew GreeneC Minor45A171
Australia Suite by Queensland Symphony Orchestra, Rijssens MannenkoorAustralia SuiteQueensland Symphony Orchestra, Rijssens MannenkoorC Minor25A75
Australia Suite: I. Sunrise At Meekatharra by Queensland Symphony Orchestra, Patrick ThomasAustralia Suite: I. Sunrise At MeekatharraQueensland Symphony Orchestra, Patrick ThomasC Minor35A100
Australia Suite: III. Interlude in Cairns by Queensland Symphony Orchestra, Patrick ThomasAustralia Suite: III. Interlude in CairnsQueensland Symphony Orchestra, Patrick ThomasC Minor55A62
Piano Sonata No. 2: III. Funeral March (Excerpt) (Arr. Gustav Schmidt) by Tasmanian Symphony Orchestra, Andrew GreenePiano Sonata No. 2: III. Funeral March (Excerpt) (Arr. Gustav Schmidt)Tasmanian Symphony Orchestra, Andrew GreeneC Minor05A171
Symphony No. 5 in C Minor, Op. 67: 1. Allegro con brio by Sydney Symphony Orchestra, Willem van OtterlooSymphony No. 5 in C Minor, Op. 67: 1. Allegro con brioSydney Symphony Orchestra, Willem van OtterlooC Minor35A96
Australia Suite: IV. Midday in Mordialloc by Queensland Symphony Orchestra, Patrick ThomasAustralia Suite: IV. Midday in MordiallocQueensland Symphony Orchestra, Patrick ThomasC Minor45A145
Puccini: Tosca / Act 2 - Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore"Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg SoltiE♭ Major25B92
Candide: Overture by Leonard Bernstein, New York PhilharmonicCandide: OvertureLeonard Bernstein, New York PhilharmonicE♭ Major45B82
Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 2. Satz by Alfred Brendel, Vienna Volksoper OrchestraKlavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 2. SatzAlfred Brendel, Vienna Volksoper OrchestraE♭ Major05B66
Trampoline Jumps #1 by Whitefeather ProductionsTrampoline Jumps #1Whitefeather ProductionsE♭ Major25B97
Souvenir D'un Lieu Cher, Op. 42: III. Melodie by Slovak Philharmonic, Slovak Radio Symphony Orchestra, Mariko Honda, Pyotr Ilyich TchaikovskySouvenir D'un Lieu Cher, Op. 42: III. MelodieSlovak Philharmonic, Slovak Radio Symphony Orchestra, Mariko Honda, Pyotr Ilyich TchaikovskyE♭ Major15B87
Symphony No. 39 in E-Flat Major, K. 543: III. Minuet by Tasmanian Symphony Orchestra, Sebastian Lang-LessingSymphony No. 39 in E-Flat Major, K. 543: III. MinuetTasmanian Symphony Orchestra, Sebastian Lang-LessingE♭ Major15B167
Cradle Song by Arthur FiedlerCradle SongArthur FiedlerE♭ Major15B58
Send in the Clowns (From Send in the Clowns (From "A Little Night Music")Leonard Bernstein, Natalie Dessay, The Paris Mozart Orchestra, Claire GibaultE♭ Major15B113
Variations on an Original Theme, Op. 36 “Enigma”: Var. 9, Variations on an Original Theme, Op. 36 “Enigma”: Var. 9, "Nimrod" (Adagio)Sydney Symphony Orchestra, Myer FredmanE♭ Major25B101
Enigma Variations: Nimrod by London Philharmonic OrchestraEnigma Variations: NimrodLondon Philharmonic OrchestraE♭ Major15B68
Australia Suite: II. Morning in Port Augusta by Queensland Symphony Orchestra, Patrick ThomasAustralia Suite: II. Morning in Port AugustaQueensland Symphony Orchestra, Patrick ThomasE♭ Major55B83

Adagio and Fugue in C Minor, K. 546: 2. Fugue by Tasmanian Symphony Orchestra, Ola Rudner Information

This song is track #15 in My First Mozart Album by Tasmanian Symphony Orchestra, Ola Rudner, which has a total of 18 tracks. The duration of this track is 3:56 and was released on May 13, 2016. As of now, this track is currently not as popular as other songs out there. Adagio and Fugue in C Minor, K. 546: 2. Fugue doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Adagio and Fugue in C Minor, K. 546: 2. Fugue BPM

Adagio and Fugue in C Minor, K. 546: 2. Fugue has a BPM of 64. Since this track has a tempo of 64, the tempo markings of this song would be Larghetto (rather broadly). Overall, we believe that this song has a slow tempo.

Adagio and Fugue in C Minor, K. 546: 2. Fugue Key

The key of Adagio and Fugue in C Minor, K. 546: 2. Fugue is C Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

An error has occurred! We could not play this song at this time.