"Requiem In D Minor, K.626: 6. Benedictus" by Wolfgang Amadeus Mozart, Wilma Lipp, Hilde Rössel Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein was released on January 1, 1962. With this song being about 5 minutes long, at 5:12, "Requiem In D Minor, K.626: 6. Benedictus" by Wolfgang Amadeus Mozart, Wilma Lipp, Hilde Rössel Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Requiem" album is number 12 out of 14. In terms of popularity, Requiem In D Minor, K.626: 6. Benedictus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K.626: 6. Benedictus by Wolfgang Amadeus Mozart, Wilma Lipp, Hilde Rössel Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Ländler (Allegro) | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 76 BPM | ||
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk" | Franz Joseph Haydn, Gundula Janowitz, Werner Krenn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 3 | 5B | 109 BPM | ||
Die Zauberflöte, K.620 / Act 2: "O Isis und Osiris, welche Wonne!" | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | D Major | 0 | 10B | 93 BPM | ||
Triumph! Triumph! Sie is vollbracht... (Les Dames) | Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Serena Jurinac | E♭ Major | 1 | 5B | 72 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 33 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" | Johann Sebastian Bach, Gundula Janowitz, Christa Ludwig, Wiener Singverein, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 110 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Requiem In D Minor, K.626: 5. Sanctus | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | D Major | 4 | 10B | 83 BPM | ||
Variations On A Theme By Haydn, Op.56a: Variation V: Vivace | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 130 BPM | ||
Te Deum, WAB 45: I. Te Deum laudamus | Anton Bruckner, Anna Tomowa-Sintow, Agnes Baltsa, Peter Schreier, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein, Rudolf Scholz | B♭ Minor | 1 | 3A | 85 BPM | ||
Concerto grosso in B minor, Op. 6, No. 12: 4. Largo | George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Karl Scheit, Friedrich Fischer, Herbert von Karajan, Edith Picht-Axenfeld, Berliner Philharmoniker | G Major | 2 | 9B | 141 BPM |
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