The Seasons, Op. 37a, TH 135 (Excerpts): No. 11, November. On the Troika
Pyotr Ilyich Tchaikovsky, Yevgeny Sudbin
Romeo & Juliet: Tchaikovsky on the Piano
2:44 February 3, 2023
BPM
75
Key
E Major
Camelot
12B

Embed

Share Link

The Seasons, Op. 37a, TH 135 (Excerpts): No. 11, November. On the Troika - Pyotr Ilyich Tchaikovsky, Yevgeny Sudbin Information

Acousticness
99%
Danceability
25%
Energy
3%
Instrumentalness
94%
Liveness
7%
Loudness
56%
Speechiness
4%
Valence
14%
Popularity
Loudness
-26.682 dB

Summary

"The Seasons, Op. 37a, TH 135 (Excerpts): No. 11, November. On the Troika" by Pyotr Ilyich Tchaikovsky, Yevgeny Sudbin was released on February 3, 2023. The duration of The Seasons, Op. 37a, TH 135 (Excerpts): No. 11, November. On the Troika is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. The Seasons, Op. 37a, TH 135 (Excerpts): No. 11, November. On the Troika's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Romeo & Juliet: Tchaikovsky on the Piano". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. The Seasons, Op. 37a, TH 135 (Excerpts): No. 11, November. On the Troika is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Seasons, Op. 37a, TH 135 (Excerpts): No. 11, November. On the Troika BPM

With The Seasons, Op. 37a, TH 135 (Excerpts): No. 11, November. On the Troika by Pyotr Ilyich Tchaikovsky, Yevgeny Sudbin having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Seasons, Op. 37a, TH 135 (Excerpts): No. 11, November. On the Troika Key

This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto by Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: LarghettoCarl Maria von Weber, Frederieke Saeijs, Nino GvetadzeB♭ Major06B83 BPM
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) by Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsViolin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato)Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsA Minor48A91 BPM
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard SchwarzThe Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the BumblebeeNikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard SchwarzG Major19B80 BPM
Violin Sonata in G Minor, Violin Sonata in G Minor, "Devil's Trill": III. Allegro assaiGiuseppe Tartini, Ray ChenG Minor16A75 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraCello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppoCamille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraF Major27B131 BPM
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) by Academy of St. Martin in the FieldsPeer Gynt Suite No.1 op. 46 Morning (Allegro pastorale)Academy of St. Martin in the FieldsE Major012B68 BPM
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) by Igor Stravinsky, Teodor Currentzis, musicAeternaThe Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)Igor Stravinsky, Teodor Currentzis, musicAeternaD Minor57A136 BPM
Peter and the Wolf, Op. 67 (Without Narration): The Bird by Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej LenardPeter and the Wolf, Op. 67 (Without Narration): The BirdSergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej LenardC Major08B99 BPM
Sleeping Beauty Waltz by Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener SymphonikerSleeping Beauty WaltzPyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener SymphonikerB♭ Major26B105 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
ISRC
SEAEW2298040
Label
L-M Records/RCA Records

Section: 0.7562754154205322

End: 0.7595441341400146