Francesco Turini, London Baroque's 'Madrigali, Book 1: No. 18, Sonata à 31' came out on November 6, 2012. Madrigali, Book 1: No. 18, Sonata à 31 is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 16 in the song's album "The Trio Sonata in 17th-Century Italy". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. Madrigali, Book 1: No. 18, Sonata à 31 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madrigali, Book 1: No. 18, Sonata à 31 by Francesco Turini, London Baroque having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Flute Concerto in C Minor, QV 5:38: II. Lento | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Minor | 0 | 2A | 140 BPM | ||
Madrigali, Book 1, RISM T1388: No. 2, Sonata a tre, secondo tuono | Francesco Turini, Matís Ensemble | G Minor | 1 | 6A | 138 BPM | ||
Trio Sonata in D minor "E tanto tempo hormai" | Francesco Turini, Prisma | A Minor | 3 | 8A | 122 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: II. Larghetto | Alessandro Marcello, Venice Baroque Orchestra | A Major | 0 | 11B | 80 BPM | ||
Suite In G Minor (Suite En Sol Mineur): Fantaisie | Marin Marais | F♯ Minor | 1 | 11A | 165 BPM | ||
Les plaisirs de Versailles, H. 480: Overture | Marc-Antoine Charpentier, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | B♭ Major | 3 | 6B | 127 BPM | ||
Sonata à 3 in D Minor, B. d2: I. Allegro | Giuseppe Tartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Suite in A Major: I. Pavan | Johann Vierdanck, London Baroque | A♭ Major | 1 | 4B | 77 BPM |
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