"Concerto for Piano and Chamber Orchestra No. 2: IV" by Lee Hyla, Aleck Karis, William Purvis was released on January 1, 1996. Since Concerto for Piano and Chamber Orchestra No. 2: IV is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lee Hyla, Speculum Musicae's "Lee Hyla: We Speak Etruscan" album is number 10 out of 10. Concerto for Piano and Chamber Orchestra No. 2: IV is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Piano and Chamber Orchestra No. 2: IV by Lee Hyla, Aleck Karis, William Purvis to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantaisies sur le nom de Sacher, for String Orchestra: VIII. | Philippe Hersant, Orchestre royal de chambre de Wallonie, Vahan Mardirossian | E Minor | 0 | 9A | 105 BPM | ||
Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 0 | 4A | 70 BPM | ||
Suite for Violin and Piano, Op. 6: I. March | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Pre-Pulse Suspended | Lee Hyla, Speculum Musicae, Donald Palma | F Major | 0 | 7B | 80 BPM | ||
Nightingales Sing In Berkeley Square | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
Images - for Orchestra | David Joseph, Dobbs Franks, Adelaide Symphony Orchestra | D♭ Major | 4 | 3B | 80 BPM | ||
Miroirs, M.43: No. 2, Oiseaux tristes | Maurice Ravel, Vincent Larderet | E Minor | 0 | 9A | 102 BPM | ||
Samsara | Sanseti Sabaru | C Minor | 0 | 5A | 128 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM |
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