Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse's 'Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera' came out on 1995. The duration of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 28 in Carmina Burana by Carl Orff. Based on our statistics, Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 3 | 9A | 86 BPM | ||
Le Carnaval des Animaux, R. 125: Akvarium | Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn | A Minor | 0 | 8A | 82 BPM | ||
Zadok the Priest (Coronation Anthem No.1, HWV 258) | George Frideric Handel, Carl Davis, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, The King's Division Normandy Band | D Major | 1 | 10B | 99 BPM | ||
Trionfo di Afrodite - Concerto scenico: VII. Appearance of Aphrodite | Carl Orff, Dagmar Schellenberger, Lothar Odinius, Lisa Larson, Eva Maria Nobäuer, Barbara Reiter, Robert Swenson, Franz Welser-Moest, Franz Welser-Möst, Muenchner Rundfunkorchester, Das Münchner Rundfunkorchester | D♭ Major | 5 | 3B | 93 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Academy Of London, Anton Nel, Keith Snell, Richard Stamp | A Minor | 0 | 8A | 91 BPM | ||
Schubert: Die Forelle, Op. 32, D. 550 | Franz Schubert, Ian Bostridge, Julius Drake | D♭ Major | 0 | 3B | 170 BPM | ||
Requiem in D Minor, Op. 48: Introit et Kyrie | Gabriel Fauré, Seiji Ozawa | C Major | 0 | 8B | 128 BPM | ||
Toccata and Fugue in d monor, BWV 565 | London Pops Orchestra, Nelson Corbin | D Minor | 2 | 7A | 68 BPM | ||
Romeo and Juliette, Act III: Ah! jour de deuil et d'horreur et d'alarmes | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM |
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