"Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse)" by Jacques Offenbach, Jennifer Larmore, Hei-Kyung Hong, Jesús López-Cobos, Munich Radio Orchestra was released on 2006. The duration of Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 40 Most Beautiful Arias, so we believe that "Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse)" is a single. Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Offenbach: Les contes d'Hoffman, Act 4: Barcarolle - "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) by Jacques Offenbach, Jennifer Larmore, Hei-Kyung Hong, Jesús López-Cobos, Munich Radio Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Die Insel Tulipatan: "Wär' ich vom männlichen Geschlechte" (Hermosa, Alexis) | Jacques Offenbach, Orchester des Hamburger Rundfunks, Paul Burkhard, Ferry Gruber, Anneliese Rothenberger | E Major | 4 | 12B | 105 BPM | ||
Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM |
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