Erik Satie, Alexandre Tharaud's 'Embryons desséchés: Embryons desséchés: III. de Podophthalma' came out on January 20, 2009. With Embryons desséchés: Embryons desséchés: III. de Podophthalma being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #34. In terms of popularity, Embryons desséchés: Embryons desséchés: III. de Podophthalma is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Embryons desséchés: Embryons desséchés: III. de Podophthalma by Erik Satie, Alexandre Tharaud having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satie: 6 Pièces froides, Pt. 2: Danses de travers, III. Encore | Erik Satie, Anne Queffélec | A Minor | 0 | 8A | 87 BPM | ||
24 Preludes, Op. 11: No. 12 in G-Sharp Minor | Alexander Scriabin, Evgeny Zarafiants | E Minor | 2 | 9A | 151 BPM | ||
Dolly, Op. 56 (version for piano 4 hands): I. Berceuse | Gabriel Fauré, Eric Le Sage, Alexandre Tharaud | E Major | 0 | 12B | 73 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Valses pour 2 pianos: Valse lente | Germaine Tailleferre, Edouard Exerjean, Philippe Corre | B Minor | 0 | 10A | 71 BPM | ||
Preludes, Op. 28: No. 18, Allegro molto | Frédéric Chopin, Alexandre Tharaud | B♭ Minor | 2 | 3A | 85 BPM | ||
Faschingsschwank aus Wien, Op. 26: V. Finale (Il più vivace possibile) | Robert Schumann, Maria João Pires | F Major | 1 | 7B | 91 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
Lieder ohne Worte, Op.53: No. 2. Allegro non troppo In E Flat, MWV U 109 - "The Fleecy Cloud" | Felix Mendelssohn, Daniel Barenboim | F Minor | 0 | 4A | 111 BPM | ||
24 Preludes, Op. 11: No. 10 in C-Sharp Minor | Alexander Scriabin, Evgeny Zarafiants | G Minor | 3 | 6A | 121 BPM |
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