Giulio Caccini, Marco Beasley, Constantinople, Kiya Tabassian made "Nuove musiche e nuova maniera di scriverle: No. 35, Dalla porta d'oriente" available on June 26, 2020. With this song being about 5 minutes long, at 5:01, "Nuove musiche e nuova maniera di scriverle: No. 35, Dalla porta d'oriente" by Giulio Caccini, Marco Beasley, Constantinople, Kiya Tabassian is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Marco Beasley, Constantinople, Kiya Tabassian's "La porta d'oriente" album is number 1 out of 19. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Nuove musiche e nuova maniera di scriverle: No. 35, Dalla porta d'oriente's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Nuove musiche e nuova maniera di scriverle: No. 35, Dalla porta d'oriente by Giulio Caccini, Marco Beasley, Constantinople, Kiya Tabassian to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria prima: Io parto, amati lumi | Giulio Caccini, Maurizia Barazzoni, Sandro Volta | B Major | 1 | 1B | 86 BPM | ||
Le nuove musiche: XXI. Odi euterpe | Giulio Caccini, Riccardo Pisani, Ensemble Ricercare Antico | F♯ Major | 4 | 2B | 110 BPM | ||
Bayaty | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | A Minor | 0 | 8A | 73 BPM | ||
Refrain 1 | Stephen Stubbs | A Minor | 0 | 8A | 86 BPM | ||
Kapsberger | Giovanni Girolamo Kapsberger, Constantinople | D Major | 3 | 10B | 111 BPM | ||
Impro 1: Somni | Ferran Savall | A Major | 1 | 11B | 113 BPM | ||
Bordi Az Yadam | Farid Farjad | D Minor | 2 | 7A | 146 BPM | ||
Pars III: Et erit post haec - effundam | Helicon and Euterpe Choir, Marco Beasley, Elisabetta de Mircovich, Claudia Caffagni, Karen Peeters, Jaap Kruithof, Edwin Derde, Guido Morini, Geert Hendrix | E Minor | 0 | 9A | 79 BPM | ||
Chamber Music | Ballaké Sissoko, Vincent Ségal | F Major | 2 | 7B | 126 BPM | ||
A Japanese in Paris | Mathias Duplessy, The Violins of the World | D Minor | 1 | 7A | 120 BPM |
Section: 1.280747413635254
End: 1.2859044075012207