Niccolò Paganini, Mengla Huang, Xuefei Yang's 'Sonata Concertata for Guitar and Violin in A Major, Op. 61, MS2: 2. Adagio, assai espressivo' came out on December 7, 2018. The duration of Sonata Concertata for Guitar and Violin in A Major, Op. 61, MS2: 2. Adagio, assai espressivo is about 3 minutes long, at 3:08. Based on our data, "Sonata Concertata for Guitar and Violin in A Major, Op. 61, MS2: 2. Adagio, assai espressivo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mengla Huang, Xuefei Yang's "Milonga Del Angel" album is number 6 out of 20. Sonata Concertata for Guitar and Violin in A Major, Op. 61, MS2: 2. Adagio, assai espressivo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata Concertata for Guitar and Violin in A Major, Op. 61, MS2: 2. Adagio, assai espressivo by Niccolò Paganini, Mengla Huang, Xuefei Yang to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for flute & piano, Op.167 'Undine': III. Andante Tranquillo | Carl Reinecke, Emmanuel Pahud | G Major | 0 | 9B | 69 BPM | ||
Poème for Violin and Piano, Op. 41 No. 4 (Arr. Weniger) | Zdeněk Fibich, Leopold Weninger, Mela Tenenbaum, Richard Kapp | D♭ Major | 1 | 3B | 90 BPM | ||
Cello Sonata No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier | A♭ Minor | 1 | 1A | 173 BPM | ||
String Octet in E-Flat Major, Op. 20, MWV R20: III. Scherzo: Allegro leggierissimo | Felix Mendelssohn, Kodály Quartet, Auer String Quartet | A Minor | 0 | 8A | 168 BPM | ||
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: I. Andante | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | B♭ Major | 1 | 6B | 98 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 57: No. 3, Do Not Ask | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 2 | 7A | 106 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Quartet No. 8 in A Major, M.S.42: III. Cantabile molto Adagio | Niccolò Paganini, Daniel Rowland, Maja Bogdanovic, Alberto Mesirca, Vladimir Mendelssohn | B Major | 1 | 1B | 129 BPM | ||
String Quintet in E-Flat Major, Op. 97 'The American': I. Allegro | Antonín Dvořák, Krzysztof Chorzelski | E♭ Major | 1 | 5B | 136 BPM |
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