Samson et Dalila / Act 1: "C'est toi que sa bouche invective..." by Camille Saint-Saëns, Plácido Domingo, Pierre Thau, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham

Song Analysis

Audio information that is featured on Samson et Dalila / Act 1: "C'est toi que sa bouche invective..." by Camille Saint-Saëns, Plácido Domingo, Pierre Thau, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham.

Acousticness

98%

Energy

38%

Liveness

55%

Speechiness

7%

Danceability

35%

Instrumentalness

5%

Loudness

76%

Valence

30%

Harmonic Matches

Find songs that harmonically matches to Samson et Dalila / Act 1: "C'est toi que sa bouche invective..." by Camille Saint-Saëns, Plácido Domingo, Pierre Thau, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Massenet: Thaïs, Act 2: Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale)Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier RothC Minor15A98
Rückert-Lieder: Ich bin der Welt abhanden gekommen by Gustav Mahler, Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot GardinerRückert-Lieder: Ich bin der Welt abhanden gekommenGustav Mahler, Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot GardinerC Minor05A76
Peter and the Wolf, Op. 67 (Remastered): The Wolf Stalks the Bird and the Cat by Sergei Prokofiev, Eugene Ormandy, Philadelphia OrchestraPeter and the Wolf, Op. 67 (Remastered): The Wolf Stalks the Bird and the CatSergei Prokofiev, Eugene Ormandy, Philadelphia OrchestraC Minor15A79
William Tell / Act 4: William Tell / Act 4: "Ah.. non mi lasciar, o speme di vendetta" - "O muto asil del pianto"Gioachino Rossini, Luciano Pavarotti, Wiener Opernchor, Wiener Opernorchester, Nicola RescignoC Minor35A78
Norma / Act 1: Norma / Act 1: "Me protegge, me difende"Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Orchestra of the Welsh National Opera, Richard BonyngeE♭ Major35B116
La Gioconda / Act 2: La Gioconda / Act 2: "Cielo e mar!"Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone MagieraE♭ Major25B84
Romance in E-Flat Major, Op. 44, No. 1 by Anton Rubinstein, Isaac Stern, Frank Brieff, Columbia Symphony OrchestraRomance in E-Flat Major, Op. 44, No. 1Anton Rubinstein, Isaac Stern, Frank Brieff, Columbia Symphony OrchestraE♭ Major15B61
Send in the Clowns (From Send in the Clowns (From "A Little Night Music")Leonard Bernstein, Natalie Dessay, The Paris Mozart Orchestra, Claire GibaultE♭ Major15B113
La Traviata / Act 1: La Traviata / Act 1: "Ebben? che diavol fate?"Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos KleiberE♭ Major15B125
Le Charme, Op. 2, No. 2 by Ernest Chausson, Jan DeGaetani, Gilbert KalishLe Charme, Op. 2, No. 2Ernest Chausson, Jan DeGaetani, Gilbert KalishE♭ Major05B81
La Gioconda / Act 2: Cielo e mar! by Amilcare Ponchielli, Luciano Pavarotti, National Philharmonic Orchestra, Bruno BartolettiLa Gioconda / Act 2: Cielo e mar!Amilcare Ponchielli, Luciano Pavarotti, National Philharmonic Orchestra, Bruno BartolettiE♭ Major25B175
Norma / Act 2: Mira, o Norma by Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard BonyngeNorma / Act 2: Mira, o NormaVincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard BonyngeE♭ Major15B108
Faust: Faust, Act I: Avant de quitter ces lieux by Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine OrbelianFaust: Faust, Act I: Avant de quitter ces lieuxCharles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine OrbelianE♭ Major35B86
Carnival of the Animals:The Elephant by Philharmonia OrchestraCarnival of the Animals:The ElephantPhilharmonia OrchestraE♭ Major05B73
Verborgenheit by Hugo Wolf, Ian Bostridge, Antonio PappanoVerborgenheitHugo Wolf, Ian Bostridge, Antonio PappanoE♭ Major05B81
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo by Georges Bizet, Seiji Ozawa, Orchestre National De FranceBizet / Arr. Guiraud: Carmen Suite No. 1: III. IntermezzoGeorges Bizet, Seiji Ozawa, Orchestre National De FranceE♭ Major05B74
West Side Story: 5. Maria by Leonard Bernstein, José Carreras, OrchestraWest Side Story: 5. MariaLeonard Bernstein, José Carreras, OrchestraE♭ Major15B90
The Merry Widow: Overture by Franz Lehár, National Philharmonic Orchestra, Richard BonyngeThe Merry Widow: OvertureFranz Lehár, National Philharmonic Orchestra, Richard BonyngeE♭ Major25B130
La Gioconda / Act 2: La Gioconda / Act 2: "Cielo e mar" - RemasteredAmilcare Ponchielli, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea NosedaE♭ Major25B178
La Gioconda, Op.9 / Act 2: Cielo e mar by Amilcare Ponchielli, Roberto Alagna, Sir Mark Elder, Orchestra of the Royal Opera House, Covent GardenLa Gioconda, Op.9 / Act 2: Cielo e marAmilcare Ponchielli, Roberto Alagna, Sir Mark Elder, Orchestra of the Royal Opera House, Covent GardenE♭ Major15B88
Act II: Cielo e mar! by Amilcare Ponchielli, Enrico CarusoAct II: Cielo e mar!Amilcare Ponchielli, Enrico CarusoE♭ Major15B131
La Gioconda / Act 2: La Gioconda / Act 2: "Cielo e mar"Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele CallegariE♭ Major25B80
La Gioconda / Act 2: La Gioconda / Act 2: "Cielo e mar"Amilcare Ponchielli, José Carreras, London Symphony Orchestra, Jesús López-CobosE♭ Major25B108

Samson et Dalila / Act 1: "C'est toi que sa bouche invective..." by Camille Saint-Saëns, Plácido Domingo, Pierre Thau, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham Information

This song is track #32 in Saint-Saëns - Great Recordings by Camille Saint-Saëns, Plácido Domingo, Pierre Thau, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham, which has a total of 50 tracks. The duration of this track is 3:16 and was released on October 8, 2021. As of now, this track is currently not as popular as other songs out there. Samson et Dalila / Act 1: "C'est toi que sa bouche invective..." doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Samson et Dalila / Act 1: "C'est toi que sa bouche invective..." BPM

Samson et Dalila / Act 1: "C'est toi que sa bouche invective..." has a BPM of 124. Since this track has a tempo of 124, the tempo markings of this song would be Allegro (fast, quick, and bright). Based on the tempo, this track could possibly be a great song to play while you are walking. Overall, we believe that this song has a fast tempo.

Samson et Dalila / Act 1: "C'est toi que sa bouche invective..." Key

The key of Samson et Dalila / Act 1: "C'est toi que sa bouche invective..." is C Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

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