Niccolò Paganini, Itzhak Perlman made "Paganini: 24 Caprices, Op. 1: No. 8 in E-Flat Major" available on February 1, 2000. The duration of Paganini: 24 Caprices, Op. 1: No. 8 in E-Flat Major is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Paganini: 24 Caprices, Op. 1: No. 8 in E-Flat Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #8. In terms of popularity, Paganini: 24 Caprices, Op. 1: No. 8 in E-Flat Major is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Paganini: 24 Caprices, Op. 1: No. 8 in E-Flat Major by Niccolò Paganini, Itzhak Perlman having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, David Oistrakh, London Symphony Orchestra, Lovro Von Matacic | D Minor | 2 | 7A | 148 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 4. Allegro animato - Stretto (molto accelerando) | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A Major | 4 | 11B | 89 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
Elégie, Op.24: Molto adagio | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | A♭ Major | 0 | 4B | 107 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: II. Fugato | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 101 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: I. Molto allegro e agitato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 98 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: III. Allegretto | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra | C Minor | 2 | 5A | 83 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 11 in C Major | Niccolò Paganini, Itzhak Perlman | C Major | 2 | 8B | 76 BPM | ||
Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: II. Gavotte (Andante grazioso) | Jean-Marie Leclair, Itzhak Perlman | E Minor | 1 | 9A | 114 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM |
Section: 0.8471925258636475
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