"Ran: Movement I" by Toru Takemitsu, Sapporo Symphony Orchestra, Tadaaki Otaka was released on January 1, 2001. With Ran: Movement I being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Otaka: Fantasy for Organ and Orchestra / Takemitsu: Nami No Bon / Ran / Hosokawa: Memory of the Sea". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Ran: Movement I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ran: Movement I by Toru Takemitsu, Sapporo Symphony Orchestra, Tadaaki Otaka having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Vexations | Erik Satie | D♭ Minor | 0 | 12A | 134 BPM | ||
Herma | Iannis Xenakis, Stephanos Thomopoulos | C Major | 2 | 8B | 76 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
The Seasons: 9. Finale (Prelude I) | John Cage, Herbert Henck | E Minor | 0 | 9A | 0 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Notturno | Ottorino Respighi, Polina Osetinskaya | F♯ Major | 0 | 2B | 139 BPM | ||
Das Rheingold: Prelude | Richard Wagner, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | A♭ Major | 1 | 4B | 77 BPM | ||
12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM |
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