Frédéric Chopin, Camille Thomas, Julien Libeer's 'Introduction and Polonaise, Op. 3: I. Introduction. Largo' came out on April 28, 2023. The duration of Introduction and Polonaise, Op. 3: I. Introduction. Largo is about 3 minutes long, at 3:20. Based on our data, "Introduction and Polonaise, Op. 3: I. Introduction. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Chopin Project : Complete Chamber Music". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. In terms of popularity, Introduction and Polonaise, Op. 3: I. Introduction. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Introduction and Polonaise, Op. 3: I. Introduction. Largo by Frédéric Chopin, Camille Thomas, Julien Libeer having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Suite No. 11 in D Minor, HWV 437: III. Sarabande - Remastered 2022 | George Frideric Handel, Mario Sollazzo | B♭ Minor | 0 | 3A | 76 BPM | ||
24 Préludes, Op. 28: 19. In E Flat Major | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM | ||
12 Etudes, Op.25: No.1 in A-flat Major(Aeolian Harp) | Pianozone, Frédéric Chopin | A♭ Major | 2 | 4B | 104 BPM | ||
Gnossienne: No. 2 | Erik Satie, Alexandre Tharaud | D Minor | 0 | 7A | 71 BPM |
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