"L'Amour de loin: Premier acte. Deuxième tableau : Le Pèlerin. Le Pèlerin : "Peut-être bien qu'elle n'existe pas"" by Kaija Saariaho, Daniel Belcher, Marie-Ange Todorovitch, Kent Nagano, Deutsches Symphonie-Orchester Berlin was released on September 7, 2009. L'Amour de loin: Premier acte. Deuxième tableau : Le Pèlerin. Le Pèlerin : "Peut-être bien qu'elle n'existe pas" is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Kaija Saariaho, Kent Nagano's "Kaija Saariaho: L'Amour de loin" album is number 3 out of 30. In terms of popularity, L'Amour de loin: Premier acte. Deuxième tableau : Le Pèlerin. Le Pèlerin : "Peut-être bien qu'elle n'existe pas" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Amour de loin: Premier acte. Deuxième tableau : Le Pèlerin. Le Pèlerin : "Peut-être bien qu'elle n'existe pas" by Kaija Saariaho, Daniel Belcher, Marie-Ange Todorovitch, Kent Nagano, Deutsches Symphonie-Orchester Berlin to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tierkreis, Work No. 41 1/2: No. 7. Leo | Karlheinz Stockhausen, Peter Söderberg, Sven Aberg | E Major | 0 | 12B | 111 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Tag des Jahrs: I. Der Frühling | Kaija Saariaho, Timo Kurkikangas, Nils Schweckendiek, Helsinki Chamber Choir | A Minor | 1 | 8A | 134 BPM | ||
Speaking Drums: I. Tanzlied / Dance Songs | Peter Eötvös, Orchestre Philharmonique de Radio France, Martin Grubinger | F♯ Major | 2 | 2B | 134 BPM | ||
44 Duos For Two Violins, Sz. 98: 15. Katonanóta | Béla Bartók, Daniel Hope, Daniel Lozakovich | D Major | 0 | 10B | 0 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
Triple Quartet: II. | Steve Reich, Mivos Quartet | E Minor | 1 | 9A | 79 BPM | ||
The Dorian Horizon for 17 Strings | Toru Takemitsu, Seiji Ozawa, Toronto Symphony Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
7 Papillons for Cello: Papillon No. 5 | Kaija Saariaho, Joanna Gutowska | A Major | 0 | 11B | 101 BPM |
Section: 0.8515326976776123
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