On September 7, 2018, the song "Prelude & Fughetta in G Major, BWV 902: I. Prelude" was released by Johann Sebastian Bach, Víkingur Ólafsson. The duration of Prelude & Fughetta in G Major, BWV 902: I. Prelude is about 3 minutes long, at 3:26. Based on our data, "Prelude & Fughetta in G Major, BWV 902: I. Prelude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Víkingur Ólafsson's "Johann Sebastian Bach" album is number 1 out of 35. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Prelude & Fughetta in G Major, BWV 902: I. Prelude is currently average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Prelude & Fughetta in G Major, BWV 902: I. Prelude by Johann Sebastian Bach, Víkingur Ólafsson to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Adagio in B Minor, K. 540 | Wolfgang Amadeus Mozart, Víkingur Ólafsson | A♭ Major | 0 | 4B | 69 BPM | ||
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 125 BPM | ||
Concerto in D Minor, BWV 974: 3. Presto | Johann Sebastian Bach, Víkingur Ólafsson | F Major | 4 | 7B | 116 BPM | ||
Muse d'eau | Víkingur Ólafsson | E Major | 0 | 12B | 176 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM |
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