Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra made "The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation XI: Trumpets (Vivace)" available on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation XI: Trumpets (Vivace) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 30 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation XI: Trumpets (Vivace) is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation XI: Trumpets (Vivace) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): In ruhig fliessender Bewegung | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F Minor | 0 | 4A | 174 BPM | ||
Raymonda, Act II: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 0 | 7B | 127 BPM | ||
Lohengrin, WWV. 75: Prelude to Act I | Richard Wagner, Philadelphia Orchestra, Christian Thielemann | B Major | 1 | 1B | 72 BPM | ||
Don Quixote, Op. 35: The Knight's Vigil - Variation V | Richard Strauss, Fritz Reiner | G Major | 2 | 9B | 88 BPM | ||
Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | D Major | 4 | 10B | 127 BPM | ||
Tristan und Isolde / Act 3: (Man hört einen Hirtenreigen/The Sound Of A Shepherd's Pipe Is Heard/On entend une mélodie de berger) | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | D♭ Major | 0 | 3B | 139 BPM | ||
Peter and the Wolf, Op. 67: The Bird | David Bowie, Eugene Ormandy | C Major | 1 | 8B | 134 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 2: Andante moderato: Wieder ins Tempo zurückgehen. TempoI | Gustav Mahler, Wiener Philharmoniker, Claudio Abbado | B Minor | 0 | 10A | 112 BPM | ||
Le Lac des Cygnes, Op.20: Acte III, Scène 1 | L'Orchestre National du Bolchoï, Algys Juraitis | A Major | 1 | 11B | 76 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM |
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