Eric Schmidt, Jonathan Rosenberg made "Kapitel 80.2 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 80.2 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:19. Based on our data, "Kapitel 80.2 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #112 out of 137 tracks. In terms of popularity, Kapitel 80.2 - Wie Google tickt - How Google Works is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 80.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Kapitel 80.2 - Wie Google tickt - How Google Works being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra | G Major | 1 | 9B | 145 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
Vèpres solennelles d'un confesseur en Do majeur K. 339, Laudate dominum | Wolfgang Amadeus Mozart, Maria Stader, Gustav König, RIAS-Symphonie-Orchester | F Major | 2 | 7B | 123 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: IVb. Sanctus. Osanna in excelsis | Franz Schubert, Cleveland Orchestra, Franz Welser-Möst, Cleveland Orchestra Chorus | C Minor | 1 | 5A | 84 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
Concert: II. Allegro | Eric Schmidt, Geneva Brass Quintet, Vincent Thévenaz | C Major | 2 | 8B | 126 BPM | ||
Nimrod | Edward Elgar, Czech Philharmonic, Leopold Stokowski | F Major | 2 | 7B | 117 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen Budday | D Major | 2 | 10B | 86 BPM |
Section: 0.9373881816864014
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