On January 1, 2000, the song "Radetzky March, Op. 228: Radesky March" was released by Johann Strauss I, Edmonton Symphony Orchestra, Uri Mayer. The duration of Radetzky March, Op. 228: Radesky March is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Radetzky March, Op. 228: Radesky March's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edmonton Symphony Orchestra's "Great Orchestral Marches" album is number 9 out of 19. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Radetzky March, Op. 228: Radesky March is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Radetzky March, Op. 228: Radesky March by Johann Strauss I, Edmonton Symphony Orchestra, Uri Mayer to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir de Baden (Helenen-Walzer), Op. 38 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | A Major | 1 | 11B | 86 BPM | ||
Moldau-Klange, Walzer, Op. 186 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | F Major | 1 | 7B | 167 BPM | ||
Tritsch-Tratsch Polka Op. 214 | Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major (arr. for orchestra) | Antonín Dvořák, Budapest Strings, Béla Bánfalvi | F♯ Major | 0 | 2B | 111 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Josephstadter-tanze, Op. 23 | Slovak Sinfonietta, Zilina, Johann Strauss I | F Major | 0 | 7B | 151 BPM | ||
Caballeria Ligera - Obertura | Franz von Suppé, Inma Shara | G Major | 5 | 9B | 115 BPM | ||
Overture Orpheus in the Underworld | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 1 | 10B | 76 BPM | ||
Gitanerías - 1997 Remastered | Ernesto Lecuona, Morton Gould and His Orchestra | G Minor | 5 | 6A | 145 BPM |
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