William Christie made "Purcell : King Arthur : Act 3 Hornpipe" available on 1995. With Purcell : King Arthur : Act 3 Hornpipe being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #26. In terms of popularity, Purcell : King Arthur : Act 3 Hornpipe is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Purcell : King Arthur : Act 3 Hornpipe by William Christie having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 1 "Come if you dare" [Tenor, Chorus] | William Christie | B♭ Major | 2 | 6B | 173 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Phaeton: Acte II, Chaconne | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | F Major | 2 | 7B | 130 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: III. Spiritoso | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | A Major | 1 | 11B | 79 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 3, Rezitativ. "Und Gott machte das Firmament" (Raphael) | Joseph Haydn, William Christie, Dietrich Henschel, Les Arts Florissants | B♭ Major | 4 | 6B | 116 BPM | ||
Charpentier : Médée, Act 1: "Seigneur, la Thessalie attaquant vos Estats" (Créon, Jason, Oronte, Chorus) | Marc-Antoine Charpentier, William Christie, Bernard Deletré, Jean-Marc Salzmann, Les Arts Florissants, Mark Padmore | A Major | 2 | 11B | 136 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Rondeau | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Intermedes de Xerxes: Air pour les Matassins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 72 BPM | ||
Dido and Aeneas, Z. 626: Act III: The Witches' Dance | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | A Major | 0 | 11B | 102 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 10: Recitativo, "Ecco Serse, o che volto" (Amastre, Serse, Ariodate) | George Frideric Handel, William Christie | E♭ Major | 1 | 5B | 73 BPM |
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