Antonio Lauro, Jason Vieaux made "4 Valses Venezolanos: No. 3. Natalia, "Vals criollo"" available on July 2, 2013. The duration of 4 Valses Venezolanos: No. 3. Natalia, "Vals criollo" is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. 4 Valses Venezolanos: No. 3. Natalia, "Vals criollo"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Play". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. The popularity of 4 Valses Venezolanos: No. 3. Natalia, "Vals criollo" is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 4 Valses Venezolanos: No. 3. Natalia, "Vals criollo" by Antonio Lauro, Jason Vieaux having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba" (arr. J. Dearman) | George Frideric Handel, John Dearman, Los Angeles Guitar Quartet | E Major | 2 | 12B | 107 BPM | ||
Variations on a Theme of Sor, Op. 15: Var. X - Toda esta variacion con la mano izquierda sola | Miguel Llobet Solés, Lorenzo Micheli | E Minor | 2 | 9A | 150 BPM | ||
Ana Cristina (Canción de Cuna) | Antonio Lauro, Cristiano Poli Cappelli | B Minor | 1 | 10A | 135 BPM | ||
Aranjuez, ma pensée | Joaquín Rodrigo, Piero Bonaguri | D Major | 1 | 10B | 92 BPM | ||
Suite Del Recuerdo/Evocacion | Jose Luis Merlin | E Minor | 1 | 9A | 109 BPM | ||
Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
Tango Suite: 3. Allegro | Sergio & Odair Assad | E Minor | 1 | 9A | 148 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: VI. Gigue | Robert de Visée, Thibaut García | A Minor | 1 | 8A | 179 BPM | ||
3 Piezas espanolas (3 Spanish Pieces): No. 2. Fandango | Joaquín Rodrigo, Jérémy Jouve | E Major | 1 | 12B | 84 BPM | ||
Guitar Sonata, Op. 21, No. 2: III. Allegretto | Ferdinando Carulli, Richard Savino | D Major | 2 | 10B | 149 BPM |
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