Gregory Alan Isakov's 'San Luis' had a release date set for October 5, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 12 in Evening Machines by Gregory Alan Isakov. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. San Luis is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of San Luis by Gregory Alan Isakov is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Warm with You | Hayden Calnin | C Major | 1 | 8B | 85 BPM | ||
Olalla | Blanco White | C Minor | 4 | 5A | 130 BPM | ||
Hold Your Head Up High | Darlingside | A Major | 3 | 11B | 132 BPM | ||
Call It Dreaming | Iron & Wine | F Major | 5 | 7B | 80 BPM | ||
From Eden | Hozier | C Major | 7 | 8B | 142 BPM | ||
To Build A Home | The Cinematic Orchestra, Patrick Watson | A Major | 1 | 11B | 149 BPM | ||
Deep In Love | Bonny Light Horseman, Eric D. Johnson, Josh Kaufman, Anaïs Mitchell | F Major | 6 | 7B | 112 BPM | ||
Promise | Ben Howard | D Major | 2 | 10B | 157 BPM | ||
Rearrange Us | Mt. Joy | A Major | 5 | 11B | 99 BPM | ||
Goodbye Mr. Blue | Father John Misty | G Major | 4 | 9B | 67 BPM | ||
Some Day Soon | Alexi Murdoch | E Major | 6 | 12B | 93 BPM | ||
Unwritable Girl | Gregory Alan Isakov | C Major | 3 | 8B | 109 BPM | ||
Hold You in My Arms | Ray LaMontagne | G Major | 3 | 9B | 170 BPM | ||
Minimum | Charlie Cunningham | C Minor | 8 | 5A | 178 BPM | ||
Halloween | Novo Amor | F Major | 5 | 7B | 107 BPM | ||
Real Love Baby | Father John Misty | G Major | 7 | 9B | 204 BPM | ||
Chateau | Angus & Julia Stone | F Major | 6 | 7B | 130 BPM | ||
Woman | Mumford & Sons | D♭ Minor | 6 | 12A | 157 BPM | ||
Too Far Away | Gregory Alan Isakov | B Major | 3 | 1B | 118 BPM | ||
The Days That Are to Come | John Vincent III | A♭ Major | 2 | 4B | 147 BPM | ||
Thousand (feat. Lisa Hannigan) | Rosie Carney, Lisa Hannigan | D♭ Major | 2 | 3B | 118 BPM | ||
Call Your Mom (with Lizzy McAlpine) | Noah Kahan, Lizzy McAlpine | D Major | 4 | 10B | 108 BPM | ||
Sedona | Houndmouth | E♭ Major | 7 | 5B | 135 BPM | ||
Like Gold | Vance Joy | G Major | 7 | 9B | 110 BPM | ||
If We Were Vampires | Jason Isbell and the 400 Unit | F Major | 2 | 7B | 97 BPM |