"Two Songs, Op. 22: No. 2, Why so pale and wan?" by Edmund Rubbra, Claire Barnett-Jones, Iain Burnside was released on March 3, 2023. With Two Songs, Op. 22: No. 2, Why so pale and wan? being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "The Jade Mountain – Songs by Edmund Rubbra". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Two Songs, Op. 22: No. 2, Why so pale and wan? is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Two Songs, Op. 22: No. 2, Why so pale and wan? by Edmund Rubbra, Claire Barnett-Jones, Iain Burnside having a BPM of 50 with a half-time of 25 BPM and a double-time of 100 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Belshazzar's Feast: The trumpeters and pipers are silent | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | A Minor | 0 | 8A | 79 BPM | ||
Missa Popularis: III. Credo | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 1 | 7B | 73 BPM | ||
Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Major | 1 | 10B | 130 BPM | ||
Requiem, Op. 9: Communion (Lux aeterna) | Maurice Duruflé, Collegium Vocale Seoul | G Major | 2 | 9B | 169 BPM | ||
Fauré: Les Djinns, Op. 12 | Gabriel Fauré, Jean Sourisse, Emmanuel Strosser, Ensemble vocal Audite Nova | A Minor | 0 | 8A | 65 BPM | ||
Keep Me as the Apple of an Eye | Neil Cox, The Gesualdo Six, Owain Park | B♭ Major | 1 | 6B | 81 BPM | ||
Cantantibus organis | Philippe Rogier, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
Dypt heller året | Paul Hellmuth, Carl Nielsen, Caspar Johannes Boye, Uranienborg Vokalensemble, Elisabeth Holte | A♭ Major | 0 | 4B | 87 BPM | ||
Symphony No. 10, Op. 145, "Sinfonia da Camera": I. Lento e liberamente | Edmund Rubbra, Richard Hickox, BBC National Orchestra Of Wales | E Minor | 0 | 9A | 84 BPM | ||
O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM |
Section: 0.7327244281768799
End: 0.738314151763916