"Kontakte (version for electronic sounds, piano and percussion), Work No. 12 1/2" by Karlheinz Stockhausen, Fredrik Ullén, Jonny Axelsson was released on January 1, 2000. Kontakte (version for electronic sounds, piano and percussion), Work No. 12 1/2 appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Stockhausen: Zyklus - Klavierstucke V and IX - Kontakte". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. Kontakte (version for electronic sounds, piano and percussion), Work No. 12 1/2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kontakte (version for electronic sounds, piano and percussion), Work No. 12 1/2 by Karlheinz Stockhausen, Fredrik Ullén, Jonny Axelsson having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eva & Willie's Room - Beer For Boys - Eva Packing | John Lurie | A Minor | 4 | 8A | 105 BPM | ||
The Sinking of the Titanic: 11. Coda | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 87 BPM | ||
Preludes in Quarter-Tone System: I | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | B♭ Minor | 1 | 3A | 137 BPM | ||
Hyperprism | Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | D♭ Major | 3 | 3B | 143 BPM | ||
Piece #1 | Tod Dockstader | F♯ Major | 2 | 2B | 109 BPM | ||
Empire III | Jon Hassell | A♭ Major | 2 | 4B | 93 BPM | ||
Drumming: Part IV - Snippet | Steve Reich, Leslie Scott, Tim Ferchen, Steve Chambers, Russ Hartenberger, Glen Velez, Bob Becker, James Preiss, Ben Harms, Cornelius Cardew, Jay Clayton, Joan La Barbara | F♯ Major | 1 | 2B | 111 BPM | ||
Amphitryon 38 | Daphne Oram | A♭ Minor | 1 | 1A | 75 BPM | ||
Voix Célestes | James McVinnie, Tom Jenkinson, Squarepusher | E Minor | 0 | 9A | 138 BPM | ||
The Transformation Of Ani | Alice Shields | F♯ Major | 3 | 2B | 171 BPM |
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