Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano's 'Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version' came out on 1958. The duration of Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano's "La Bohème - Puccini" album is number 13 out of 26. Based on our statistics, Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Chi I'ha richiesto?....Vediam (Colline/Schaunard/Rodolfo/Ragazzi/Marcello/Coro/Musetta) - 1997 Remastered Version by Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Madama Butterfly / Act 1: L'Imperial Commissario | Giacomo Puccini, Luciano Pavarotti, Michel Sénéchal, Erna Maria Muhlberger, Mirella Freni, Eva Maria Hurdes, Martha Heigl, Wolfgang Schneider, Robert Kerns, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 78 BPM | ||
Macbeth / Act II: Aria: "La luce langue" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B Major | 1 | 1B | 81 BPM | ||
Il Barbiere di Siviglia: Il vecchiotto cerca moglie - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | A Major | 1 | 11B | 109 BPM | ||
Chi guardi? (Rodolfo/Colline/Mimì/Schaunard/Marcello/Coro/Parpignol/Ragazzi) - 1997 Remastered Version | Giacomo Puccini, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 72 BPM | ||
Gianni Schicchi: Nessuno sa che Buoso ha reso il fiato? | Giacomo Puccini, Leo Nucci, Colin Cue, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D Major | 0 | 10B | 81 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Ma signor...ma un dottor" (Bartolo, Berta, Basilio, Rosina, Count Almaviva, Figaro, Chorus) | Gioachino Rossini, Maria Callas, Alceo Galliera, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, The Philharmonia Chorus, Philharmonia Orchestra, Roberta Benaglio, Tito Gobbi | G Major | 3 | 9B | 116 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 14: No. 10c, Aria, "Dalla sua pace" (Don Ottavio) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | G Major | 1 | 9B | 75 BPM | ||
Tosca / Act II: Nel pozzo del giardino! Va, Spoletta! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 64 BPM |
Section: 0.6642293930053711
End: 0.6702969074249268