Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius made "Missa Votiva, ZWV 18: Gloria" available on April 1, 2010. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius's "Jan Dismas Zelenka: Missa Votiva" album is number 5 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Missa Votiva, ZWV 18: Gloria's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Missa Votiva, ZWV 18: Gloria by Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Ouverture-Suite in G Minor, TWV 55:G4 "Les nations anciennes et modernes": V. Loure (Arr. J. Steenbrink & T. Steenbrink for Strings & Continuo) | Georg Philipp Telemann, Holland Baroque, Aisslinn Nosky | F♯ Minor | 0 | 11A | 98 BPM | ||
Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) | George Frideric Handel, Michael Chance, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 88 BPM | ||
Wer nur den lieben Gott lasst walten (Chorus) | Johann Sebastian Bach, Joanne Lunn, William Towers, Kobie Van Rensburg, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 104 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Les fleurs et les arbres, Op.68, No.2 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Major | 0 | 12B | 102 BPM | ||
Requiem in C Minor: III. Tractus | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | B Major | 0 | 1B | 90 BPM | ||
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM |
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