Agnes Baltsa made "L'italiana in Algeri" available on November 15, 2006. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in José Carreras's "Jose Carreras & Friends" album is number 12 out of 24. On top of that, Italy appears to be the country where this track was created. L'italiana in Algeri is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of L'italiana in Algeri by Agnes Baltsa to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Carmen / Act 1: "L'amour est un oiseau rebelle" (Havanaise) | Georges Bizet, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan, Choeur du Théatre National de l'Opéra de Paris | D Major | 0 | 10B | 118 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie | Ludwig van Beethoven, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Elizabeth Wilcock, Alastair Ross, The Monteverdi Choir | D Major | 1 | 10B | 79 BPM | ||
Maria Stuarda / Act 1: "Fra noi perchè non veggio Leicester?" | Gaetano Donizetti, Agnes Baltsa, Simone Alaimo, Francisco Araiza, Francesco Ellero D'Artegna, Munich Radio Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 83 BPM | ||
Il barbiere di Siviglia / Act 1: No.7 Duetto: "Dunque io son... tu non m'inganni?" | Gioachino Rossini, Thomas Allen, Agnes Baltsa, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 86 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM |
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