Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli's 'Waltz Song: Je veux vivre (from Roméo et Juliette)' came out on August 16, 2011. The duration of Waltz Song: Je veux vivre (from Roméo et Juliette) is about 3 minutes long, at 3:26. Based on our data, "Waltz Song: Je veux vivre (from Roméo et Juliette)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dame Joan Sutherland's "Joan Sutherland "La Stupenda"" album is number 9 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Waltz Song: Je veux vivre (from Roméo et Juliette) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Waltz Song: Je veux vivre (from Roméo et Juliette) by Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B Major | 2 | 1B | 142 BPM | ||
Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
Norma / Act 2: Deh! non volerli vittime | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | E Minor | 3 | 9A | 135 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | F♯ Minor | 2 | 11A | 84 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
La Sonnambula / Act 2: Ah! non giunge uman pensiero | Vincenzo Bellini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 1 | 10B | 100 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Sono andati? (Mimì/Rodolfo) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | A♭ Major | 0 | 4B | 173 BPM |
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