Los Angeles Guitar Quartet, Delaware Symphony Orchestra, David Amado made "Rodrigo: Concierto Andaluz: 3. Allegretto" available on January 1, 2010. Rodrigo: Concierto Andaluz: 3. Allegretto is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The track order of this song in Los Angeles Guitar Quartet, Delaware Symphony Orchestra, David Amado's "Interchange: Concertos by Rodrigo & Assad" album is number 3 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Rodrigo: Concierto Andaluz: 3. Allegretto is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Rodrigo: Concierto Andaluz: 3. Allegretto by Los Angeles Guitar Quartet, Delaware Symphony Orchestra, David Amado to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo - Vals | Miguel Llobet Solés, Lorenzo Micheli | D Major | 1 | 10B | 63 BPM | ||
Sainz de la Maza: Zapateado | Regino Sáinz de la Maza, Thibaut García | E Major | 1 | 12B | 135 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VI. Les sauvages (Arr. M. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | E♭ Minor | 1 | 2A | 94 BPM | ||
Jobim Medley: Modinha (Arr. S. Assad) | Los Angeles Guitar Quartet, Luciana Souza | D Minor | 2 | 7A | 165 BPM | ||
Suite Transcendent: IV. La porte du ciel | Tilman Hoppstock, Los Angeles Guitar Quartet | E Minor | 0 | 9A | 106 BPM | ||
Estampes: No. 2. La soiree dans Grenade (arr. for guitar quartet) | Claude Debussy, James F. Smith, Los Angeles Guitar Quartet | A Minor | 0 | 8A | 71 BPM | ||
Alki Point | Kevin Callahan, Los Angeles Guitar Quartet | G Major | 2 | 9B | 107 BPM | ||
Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave) | Johann Kaspar Mertz, Adam Holzman | G Major | 1 | 9B | 100 BPM | ||
Suite No. 21 in E : Allemande | David Tanenbaum | E Minor | 2 | 9A | 108 BPM | ||
Lagrima (prelude) - Francisco Tarrega | Robert Westaway | E Major | 1 | 12B | 166 BPM |
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