"Acht Stücke Op. 83: IV. Allegro agitato" by Max Bruch, Oslo Philharmonic Chamber Group, Leif Arne Pedersen, Henninge Landaas, Gonzalo Moreno was released on April 15, 2019. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 15 in Clarinet Trios: Schumann; Bruch; Mozart by Leif Arne Pedersen, Henninge Landaas, Gonzalo Moreno. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Acht Stücke Op. 83: IV. Allegro agitato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Acht Stücke Op. 83: IV. Allegro agitato by Max Bruch, Oslo Philharmonic Chamber Group, Leif Arne Pedersen, Henninge Landaas, Gonzalo Moreno is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Polonaise brillante No. 1 in D Major, Op. 4 | Henryk Wieniawski, James Ehnes, Eduard Laurel | D Major | 2 | 10B | 99 BPM | ||
Romanian Folk Dances, Sz.56: I. Allegro moderato | Béla Bartók, Kurt Nikkanen, Rohan De Silva | A Minor | 0 | 8A | 80 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Concerto for 2 Pianos and Orchestra, Op. 88a: III. Adagio ma non troppo | Max Bruch, Oliver Schnyder, Julia Kociuban, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | B Major | 2 | 1B | 66 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: II. Adagio | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | D Major | 0 | 10B | 88 BPM |
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