- BPM
- 160
- Key
- A♭ Major
- Camelot
- 4B
The Planets, Op. 32: I. Mars, the Bringer of War - Gustav Holst, London Symphony Orchestra, Sir Colin Davis Information
- Acousticness
- 62%
- Danceability
- 23%
- Energy
- 27%
- Instrumentalness
- 96%
- Liveness
- 9%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 17%
- Loudness
- -18.588 dB
Summary
"The Planets, Op. 32: I. Mars, the Bringer of War" by Gustav Holst, London Symphony Orchestra, Sir Colin Davis was released on January 1, 2003. Since The Planets, Op. 32: I. Mars, the Bringer of War is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, London Symphony Orchestra, Sir Colin Davis's "Holst: The Planets, Op. 32" album is number 1 out of 7. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Planets, Op. 32: I. Mars, the Bringer of War is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Planets, Op. 32: I. Mars, the Bringer of War BPM
We consider the tempo marking of The Planets, Op. 32: I. Mars, the Bringer of War by Gustav Holst, London Symphony Orchestra, Sir Colin Davis to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
The Planets, Op. 32: I. Mars, the Bringer of War Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt) | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | A Minor | 1 | 8A | 81 BPM | |
 | Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Academy Of London, Anton Nel, Keith Snell, Richard Stamp | A Minor | 0 | 8A | 91 BPM | |
 | A Gift Of A Thistle | James Horner, London Symphony Orchestra | A Minor | 0 | 8A | 170 BPM | |
 | Romeo and Juliet Suite: Montagues and Capulets | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | A Minor | 1 | 8A | 94 BPM | |
| The Secret Wedding | James Horner, London Symphony Orchestra | D Minor | 0 | 7A | 135 BPM | |
 | Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | |
 | Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | |
 | Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | |
 | The Gadfly Suite, Op. 97a: III. Folk Feast (National Holiday) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 3 | 11B | 161 BPM | |
 | String Quartet No. 8 In C Minor, Op. 110 II. Allegro molto (attacca:) | Saint Petersburg Orchestra of the State Hermitage Museum Camerata | E Minor | 2 | 9A | 142 BPM |
- ISRC
- GBDGQ0202901
- Label
- L-M Records/RCA Records
Section: 0.8210239410400391
End: 0.8255875110626221