William Bell, Judy Clay made "Private Number" available on January 1, 1990. The duration of Private Number is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Private Number's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Best Of William Bell". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Private Number is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Private Number by William Bell, Judy Clay having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I'll Go Crazy | James Brown & The Famous Flames | C Major | 5 | 8B | 135 BPM | ||
Getting Mighty Crowded (Alternate Take) | Betty Everett | D Minor | 7 | 7A | 125 BPM | ||
The Love I Lost (feat. Teddy Pendergrass) | Harold Melvin & The Blue Notes, Teddy Pendergrass | D Major | 9 | 10B | 123 BPM | ||
I Can't Wait Until I See My Baby | Baby Washington | G Major | 4 | 9B | 112 BPM | ||
I Don't Want to Be Hurt Anymore | James Carr | B♭ Major | 1 | 6B | 78 BPM | ||
When My Love Comes Down | Ruby Johnson | D Major | 1 | 10B | 144 BPM | ||
Don't Mess Up A Good Thing | Fontella Bass, Bobby McClure | B♭ Minor | 6 | 3A | 175 BPM | ||
Who Is He (And What Is He to You)? | Bill Withers | D♭ Minor | 3 | 12A | 99 BPM | ||
Git Back | Sugar Pie DeSanto | A♭ Major | 7 | 4B | 90 BPM | ||
Since I Fell For You | Fontella Bass | G Major | 3 | 9B | 105 BPM |
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