"Im Nebel: Part 1" by Toshio Hosokawa, Simon Höfele, BBC Symphony Orchestra, Geoffrey Paterson was released on May 5, 2023. Since Im Nebel: Part 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Nobody Knows". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Im Nebel: Part 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Im Nebel: Part 1 by Toshio Hosokawa, Simon Höfele, BBC Symphony Orchestra, Geoffrey Paterson having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Easter | Jasha Klebe | G Minor | 1 | 6A | 74 BPM | ||
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Mit Fried und Freud ich fahr dahin, Bux WV 76: Lamentation | Orchestra of the Swan, Nicky Spence, Francesca Moore-Bridger | A Minor | 1 | 8A | 145 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
For Us | Isobell Makkar | D♭ Major | 0 | 3B | 73 BPM | ||
Six Encores: Leaf | Luciano Berio, Andrea Lucchesini | D Major | 0 | 10B | 49 BPM | ||
Vertical Time Study II (1993/1994) for tenor saxophone, piano and Percussion: Vertical Time Study II (1993/1994) for tenor saxophone, piano and Percussion | Toshio Hosokawa, Masanori Oishi, Saori Oya, Tomoko Kasai | F Major | 0 | 7B | 187 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B♭ Minor | 3 | 3A | 90 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 5. Allegro moderato | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Music For One | John Cage, Ye Wu | A♭ Major | 0 | 4B | 98 BPM |
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