"Les espaces acoustiques: V. Transitoires" by Stefan Asbury, WDR Sinfonieorchester Köln was released on May 1, 2001. Les espaces acoustiques: V. Transitoires appears to be safe for all ages as it is not explicit. The track order of this song in Asko Ensemble, WDR Sinfonieorchester Köln, Stefan Asbury's "Grisey: Les espaces acoustiques" album is number 2 out of 6. Les espaces acoustiques: V. Transitoires is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les espaces acoustiques: V. Transitoires by Stefan Asbury, WDR Sinfonieorchester Köln to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
Estampes, L. 100: 1. Pagodes | Claude Debussy, Daniel Barenboim | B Major | 0 | 1B | 68 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
The Time Curve Preludes, Book I: II - q = 104 | William Duckworth, Bruce Brubaker | F Major | 0 | 7B | 118 BPM | ||
Sonatina for Piano 4 Hands: II. Andante | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | F Major | 0 | 7B | 79 BPM | ||
Tempo e tempi: No. 8, Segreto del poeta | Elliott Carter, Lucy Shelton, Ensemble Sospeso, Stefan Asbury | D♭ Major | 0 | 3B | 109 BPM | ||
Cantata para America magica , Op. 27: II. Nocturno y canto de amor | Alberto Ginastera, Rayanne Dupuis, Bugallo-Williams piano duo, Ensemble S, Percussion Ensemble of Cologne Conservatory, Cologne West German Radio Symphony Orchestra, Stefan Asbury | B♭ Minor | 1 | 3A | 87 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM |
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